Iwalewa-Hausa, under the directorship of Ulli Beier has actively participated in the revitalization and continuation of the different cultural and artistic lives of the Third World societies. Within the small, in-house publication operation of Iwalewa-Haus can be found almost every third world culture and society, but because of Ulli Beier's special connection with Yoruba society and people, its collection and publications on that society are unique--including numerous interviews with Wole Soyinka and other Yoruba scholars on Yoruba music, art, philosophy, religion, and culture. In addition, the house has been actively promoting all aspects of Yoruba theatrical performances and artistic practices where they are active, or reviving and supporting them where they have been threatened.

The papers herein deal with the past and present state of Yoruba society and culture. The connected themes of past glory, (brief) renaissance, and present crises are made coherent. The motivation to assemble the papers which make this book is more than merely academic. In the tradition of Ulli Beier himself and Iwalewa-Haus it aims to directly intervene and provoke debate and take action.

This book is addressed to Yoruba English-reading/speaking audiences and to all (Black) African societies facing the same kind of crisis the Yoruba face. All have been existing precariously in the cusp between technologized modernity and traditional ways. Thus, although this collection is specifically on Yoruba society, its broad concerns apply to most African societies.

ABOUT THE AUTHORS
Olu Obafemi is professor of English and Dramatic Literature at the department of Modern European languages at the University of Ilorin.

Wole Ogundeleis a Senior lecturer at Obafemi Awolowo University, Ile-Ife, Nigeria.

Femi Abodunrin is a Humboldt fellow at the University of Bayreuth in Germany.

CATEGORY
Cultural Studies/AFRICA